В 1949 г. выдающийся Сальваторе Фиуме, очередной человек эпохи Возрождения, прославившийся как художник, скульптор, писатель, сценограф, архитектор и дизайнер, создал при содействии компании «Vittorio Bonacina» две мужественные плетеные скульптуры: «Петух» (символ мужественности, часто повторяющийся и в живописных, и в скульптурных, и даже в архитектурных работах Фиуме) и «Воин».
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In 1949, Salvatore Fiume, another Renaissance man renowned as an artist, sculptor, writer, scenographer, architect, and designer, had Vittorio Bonacina create two masculine sculptures of wicker to his sketches, the Cock (a symbol of virility and a recurring element of Fiume’s paintings, sculptures, and even architectural designs) and the Warrior.
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In 1949, Salvatore Fiume, another Renaissance man renowned as an artist, sculptor, writer, scenographer, architect, and designer, had Vittorio Bonacina create two masculine sculptures of wicker to his sketches, the Cock (a symbol of virility and a recurring element of Fiume’s paintings, sculptures, and even architectural designs) and the Warrior.
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В 1949 г. выдающийся Сальваторе Фиуме, очередной человек эпохи Возрождения, прославившийся как художник, скульптор, писатель, сценограф, архитектор и дизайнер, создал при содействии компании «Vittorio Bonacina» две мужественные плетеные скульптуры: «Петух» (символ мужественности, часто повторяющийся и в живописных, и в скульптурных, и даже в архитектурных работах Фиуме) и «Воин».
———
In 1949, Salvatore Fiume, another Renaissance man renowned as an artist, sculptor, writer, scenographer, architect, and designer, had Vittorio Bonacina create two masculine sculptures of wicker to his sketches, the Cock (a symbol of virility and a recurring element of Fiume’s paintings, sculptures, and even architectural designs) and the Warrior.
———
In 1949, Salvatore Fiume, another Renaissance man renowned as an artist, sculptor, writer, scenographer, architect, and designer, had Vittorio Bonacina create two masculine sculptures of wicker to his sketches, the Cock (a symbol of virility and a recurring element of Fiume’s paintings, sculptures, and even architectural designs) and the Warrior.
BY Mid-Century Modern
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